Like the traditional ex-voto, which represents a request or thanksgiving materialized in corporeal forms, Severed-Limb recontextualizes these objects within a contemporary context where spiritual devotion is replaced by a machinic necessity. Through this, traditional boundaries of identity are interrogated, proposing a critical perspective on the transformation of the body and the relationships established with the machine.

This installation, aims to confront the intersection of technology and identity. To question the ethical and symbolic implications of fusion between the biological and the technological.

It seeks to explore the body-technology relation by confronting a society dependent on consumption, interrogating how this dependence might alter our very modes of existence and survival in the world.